Reforges

❝ It learned you in pieces - the echo first, then the name. The rest it will take slowly. ❞

    themes found on this blog        are not suited for anyone under the age of twenty-one. viewer discretion is highly advised. you have been warned, please do not come to me to complain afterwards. thank you.

    #credits             ^psd old pizza 2.0     |     ^graphics mine     |     ^carrd mine

    #reforges        an independent, highly selective, mostly queue ran multi-muse roleplay blog for various canon and original muses from media such as 𝒐𝒏𝒆 𝒑𝒊𝒆𝒄𝒆, 𝒌𝒑𝒅𝒉, 𝒕𝒉𝒆 𝒑𝒊𝒕𝒕 && 𝒎𝒐𝒓𝒆.   ^{must read rules before following. no minors allowed.}

                 quokka          |                           any pronouns

navigation

• return.
• guide.
• roster.
• fandoms.
• connections.
• wishlist.

guidelines

    #please read        due to the nature pertaining to some of the themes found on this blog, i humbly ask that you please read each and every guideline found below not only to understand how i run my muses but also how i run my blog as a whole. if you ever have any questions, please never be afraid to come to me and ask, preferably off anon if at all possible.

   introduction.       haiiii this is your friendly neighborhood weirdo and fellow roleplayer. my activity on this blog will vary depending on multiple different factors such as my mood, writers block, whether i am in the middle of a chronic migraine flair up or i just don't feel up to being on the dash. ^{please note mun is autistic, has attention deficit disorder, severe anxiety and bipolar depression}.

     001.          please tag anything to do with ch!ld abuse, animal abuse, self harm, moving dolls or mannequins or cl0wns minus buggy the clown from one piece, he is the only exception. i will also tag accordingly.

     003.          if you like and/or comment on my starter calls but you don't specify a muse, i will be choosing but that doesn't mean you have to respond. furthermore, if you list multiple muses you can expect more than one starter, though, you do not have to respond to both the decision is yours alone. i will also rewrite if you hate it.

     004.          i have recently started to enjoy using regular sized text, though i will use small text when requested. i do not use colored text but i will be using bolds and italics. i also do not utilize multiple spaces.

     005.          this blog is going to be fairly selective in who i follow or follow back for my own personal comfort. please do not follow if you have zero intention of interacting, if there are no attempts after a month, i will be soft blocking you until you are ready to interact with my muses. this isn't me trying to shame you, this is just to cultivate my own space. also i do have some muses whom use korean faces, please do not just follow me for these faces or you will be hard blocked.

     006.          please do not assume anything about any of my muses. i also ask that you do not try to god mod or powerplay my muses without at least speaking with me first.

     007.          i am a huuuuge ship whore but i will never force anyone into shipping with my muses nor will i assume that our muses are being shipped without having a conversation with my partners first. if we are friends and you want to ship with my muses, you will always get first dibs on already made or new muses including original characters & canon characters.

           _{UNDERAGE MUSES ARE NOT AVAILABLE FOR SHIPPING}

     008.          this blog can and will contain mature themes that are not suitable for a younger audience which is why this blog is strictly 21+ and will not interact with anyone under the age of 21 for my own safety as well as yours. mature themes DO NOT include overly t@boo topics. there will be the following themes: ^{mentions of drug use, mentions of mental, verbal and emotional abuse, usfw topics, murder, blood, mild gore} but will not contain sa, dubcon, noncon, rascism, sexism etc.

     009.          DO NOT FOLLOW ME if you use ai for anything whatsoever on your blog, if you support homophobia, transfobia, racism, sexism, fetishization of asian faces, support the orange terror!st, are a zionist, abuse apologist etc. you will be automatically hardblocked across all of my blogs.

     010.          once in a while i may be up for pre-established relationships between some, if not most, of my muses. all i ask is that we've already had in character interaction as well as out of character interaction. unless it is specified otherwise, (canon only-child muses will not be getting any siblings. this may be changed sometime in the future with heavy plotting

navigation

• film.
• television.
• mixed media.
• original characters.
• other.
• "secret menu".

the characters that have a [✦] in front of their names are my main muses / the ones i have the most muse for at the moment. doesn't mean i won't write the others, but these will take priority over the others. characters that have [ ... ] are underage and will not be shipping with anyone so please don't ask. and muses with [಄] in front of their names are considered private and will currently be friends only for the time being.                      ^{muse list is subject to change at a moments notice.}

roster

  LEGOLAS GREENLEAF  
^{lord of the rings,   movie / based}

^{elf. male. heterosexual. he yu.}

      _{↪︎   An elven prince and master archer with unmatched skill and keen senses. Calm and perceptive, he moves through battle with grace while remaining fiercely loyal to his companions.}

• info
• hc
• threads
• answered

  [✦] ARAGORN  
^{lord of the rings,   movie / book}

^{dunedain. male. heterosexual. viggo mortenson.}

      _{↪︎   ranger of the North and the hidden heir to the throne of Gondor. Wise, skilled, and humble, he fights to protect Middle-earth while slowly accepting his destiny as king.}

• info
• hc
• threads
• answered

  [✦] ARWEN UNDOMIEL  
^{lord of the rings,   movie / book}

^{elf. female. heterosexual.   tian xiwei. alt: liv tyler.}

      _{↪︎   an elven princess of Rivendell known for her grace, strength, and quiet resilience. Devoted and steadfast, she chooses love and mortality over immortality, shaping her own fate.}

• info
• hc
• threads
• answered

  KILI DURINSFOLD  
^{the hobbit,   movie based}

^{dwarf. male. heterosexual.   zhou yiran.}

      _{↪︎   a noble and thoughtful captain of Gondor with a strong sense of honor. Wise and compassionate, he chooses integrity over power even in the face of great temptation.}

• info
• hc
• threads
• answered

  [✦] HWANG ZI-EUN ^{zoey 
kpdh,   movie / headcanon}

^{doe spirit. female. pansexual.   chuu. alt: eu (everglow)}

      _{↪︎   A curious and observant woman known for her teasing nature and blunt honesty, often speaking before she thinks. Though playful and intrusive, she is emotionally aware and deeply loyal beneath it all.}

• info
• hc
• threads
• answered

  [✦] HA MIRA  
^{kpdh;   movie / headcanon}

^{hunter. female. lesbian.   to be decided.}

      _{↪︎   A fierce demon hunter and skilled fighter who hides her softer side behind a tough, confident attitude. Loyal to her team, she faces supernatural threats head-on without hesitation.}

• info
• hc
• threads
• answered

  CHOI RUMI  
^{kpdh,   movie / headcanon}

^{cambion. female. pansexual.   soojin.}

      _{↪︎   A talented idol and demon hunter who balances fame with the secret duty of protecting people from supernatural threats. Calm and thoughtful, she often acts as the emotional center of the team.}

• info
• hc
• threads
• answered

  [✦] JEONG JI-HO ^{jinu 
kpdh,   movie / headcanon}

^{demon. male. pansexual.   bangchan.}

      _{↪︎   quiet, controlled, and difficult to read, carrying a constant tension beneath his calm exterior, shaped by a past that lingers and instincts he keeps carefully restrained, never fully at ease.}

• info
• hc
• threads
• answered

  KIM JI-HOON ^{romance 
kpdh,   movie / headcanon}

^{demon. non-binary. bisexual.   park seonghwa.}

      _{↪︎   powerful demon known for his charm, confidence, and theatrical personality. Though he carries himself like a romantic hero, his true nature is dangerous, and his motives often blur the line between ally and enemy.}

• info
• hc
• threads
• answered

  WILL TURNER  
^{potc;   movie based}

^{human. male. heterosexual.   orlando bloom.}

      _{↪︎   A skilled blacksmith with a strong sense of honor and loyalty. Brave and determined, he is drawn into a life of piracy and adventure while fighting for love and doing what he believes is right.}

• info
• hc
• threads
• answered

  EVELYN CARNAHAN  
^{the mummy;   movie based}

^{human. female. heterosexual.   rachel weisz.}

      _{↪︎   A brilliant and adventurous Egyptologist with a thirst for discovery. Courageous and resourceful, she faces ancient dangers head-on while uncovering the secrets of the past.}

• info
• hc
• threads
• answered

  [✦] TRINITY SANTOS  
^{the pitt;   show based}

^{human. female. lesbian.   isa briones.}

      _{↪︎   A determined medical professional working in the high-pressure environment of Pittsburgh’s trauma hospital. Focused and compassionate, she struggles to balance the emotional weight of the job with her duty to save lives.}

• info
• hc
• threads
• answered

  [✦] DENNIS WHITAKER  
^{the pitt,   show based}

^{human. male. heterosexual.   gerran howell.}

      _{↪︎   A hospital staff member navigating the chaos of a busy trauma center. Practical and level-headed, he works under constant pressure while trying to keep patients and coworkers steady in life-or-death situations.}

• info
• hc
• threads
• answered

  CAROL HATHAWAY  
^{er the pitt,   show based}

^{human. female. heterosexual.   julianna margulies.}

• info
• hc
• threads
• answered

  10TH DOCTOR  
^{doctor who,   show / headcanon}

^{time lord. male. pansexual.   david tenant.}

      _{↪︎   The Doctor’s tenth incarnation, a brilliant and eccentric Time Lord who travels the universe helping those in need. Energetic and compassionate, he hides deep loneliness behind his humor and optimism.}

• info
• hc
• threads
• answered

  SANSA STARK  
^{game of thrones,   headcanon based}

^{human. female. heterosexual.   sophie turner.}

      _{↪︎   The eldest Stark daughter, who grows from a naive girl into a shrewd and resilient leader. Wise, patient, and politically savvy, she survives the deadly games of Westeros while protecting her family and legacy.}

• info
• hc
• threads
• answered

  MOON MIN-HO  
^{xo kitty;   headcanon / show}

^{human. male. pansexual.   sang heon lee.}

      _{↪︎   A confident and sharp-witted student who hides his softer side beneath a cool exterior. Loyal and perceptive, he learns to open up while navigating friendship, love, and self-discovery.}

• info
• hc
• threads
• answered

  KACEY DUTTON  
^{yellowstone,   show / headcanon}

^{human. male. heterosexual.   luke grimes.}

      _{↪︎   A skilled and conflicted rancher torn between family loyalty and his own sense of right and wrong. Quiet and capable, he navigates violence and responsibility while trying to build a better life for his family.}

• info
• hc
• threads
• answered

  BUFFY SUMMERS  
^{btvs / ats;   show based}

^{slayer. female. bisexual.   sarah michelle gellar.}

      _{↪︎   The chosen Slayer, destined to fight vampires and supernatural forces. Strong, witty, and resilient, she faces constant danger while navigating everyday life and protecting her friends and the world from darkness.}

• info
• hc
• threads
• answered

  LUCY MACLEAN  
^{fallout;   show / games}

^{human. female. heterosexual.   ella purnell.}

      _{↪︎   A bright and optimistic vault dweller thrust into the harsh reality of the wasteland. Determined and compassionate, she adapts quickly while holding onto her belief that people can still be good.}

• info
• hc
• threads
• answered

  [✦] NAMI  
^{one piece;   live action/anime}

^{human. female. heterosexual.   emily rudd / animated.}

      _{↪︎   A clever and fearless navigator with a sharp mind and strong will. Resourceful and determined, she guides her crew through perilous seas while keeping a mischievous spark and unshakable loyalty.}

• info
• hc
• threads
• answered

  [✦] RORONOA ZORO  
^{one piece,   live action/anime}

^{human. male. pansexual.   mackenyu arata / animated.}

      _{↪︎   A disciplined and powerful swordsman who seeks to become the world’s greatest. Stoic and fiercely loyal, he faces every battle with unwavering focus and relentless determination.}

• info
• hc
• threads
• answered

  [✦] NICO ROBIN  
^{one piece,   live action/anim}

^{human. female. pansexual.   lera abova / animated.}

      _{↪︎   A calm and intelligent archaeologist with a mysterious past. Reserved yet quietly compassionate, she seeks the truth of the world while standing loyally beside her crew.}

• info
• hc
• threads
• answered

  [✦] CHRISSY CUNNINGHAM  
^{treated as oc,   headcanon based}

^{human. female. pansexual.   grace van dien.}

      _{↪︎   A popular cheerleader who hides her inner struggles behind a perfect image. Gentle and vulnerable, she becomes entangled in the darkness lurking beneath Hawkins.}

• info
• hc
• threads
• answered

  NANCY WHEELER  
^{treated as oc,   headcanon based}

^{human. female. pansexual.   tbd.}

      _{↪︎   A determined and sharp-minded young woman with a strong sense of justice. Brave and resourceful, she pursues the truth and stands her ground against the dangers in Hawkins.}

• info
• hc
• threads
• answered

  EDDIE MUNSON  
^{treated as oc,   headcanon based}

^{vampire. male. pansexual.   joseph quinn.}

      _{↪︎   A rebellious and misunderstood metalhead with a fearless spirit and a big heart beneath his tough exterior. Loyal to his friends and unafraid of danger, he meets a tragic end—but even in death, his presence lingers, refusing to stay gone for long.}

• info
• hc
• threads
• answered

  [✦] BONNIE BENNETT  
^{treated as oc,   headcanon based}

  ^{witch. female. bisexual.   jaz sinclair.}

      _{↪︎   A powerful and determined witch who is fiercely loyal to her friends. Brave and selfless, she often risks her own life to protect others and confront the dangers of the supernatural world.}

• info
• hc
• threads
• answered

  [಄] LEE HANEUL  
^{fandomless;   mob recruit}

^{human. male. bisexual.   bangchan.
solo shipped w/ 4gives} _twin

      _{↪︎   A calm and observant individual with a quiet strength. Thoughtful and dependable, he approaches challenges with careful reasoning while quietly protecting those he cares about.}

• info
• hc
• threads
• answered

  [಄] LEE SEUL-MIN  
^{fandomless,   bodyguard}

^{human. male. homosexual.   bangchan.} _twin

      _{↪︎   The reserved and serious twin of Haneul, often at odds with his brother’s bold and mischievous nature. Calculating and disciplined, he keeps his distance while remaining quietly determined in his own path.}

• info
• hc
• threads
• answered

  [✦] YU SHIN-DAY  
^{hwayugi,   wolf demon idol}

^{demon. male. pansexual.   choi yeonjun.}

      _{↪︎   a happy-go-lucky wolf demon whom works as an idol for lucifer entertainment. he's extremely protective of those whom he considers closest to him, he will tear, bite and rip apart anyone who tries to harm the ones he loves. don't let his light fool you, one false move and you're out.}

• info
• hc
• threads
• answered

 HEO SEUNG-KYU  
^{my own lore;   fandomless}

^{werewolf. male. demisexual.   kim young-dae.}

      _{↪︎   A stoic and disciplined werewolf, shaped by the harsh rules of his pack and his own sense of honor. Fiercely protective yet reserved, he navigates both human and supernatural worlds with caution and calculated strength.}

• info
• hc
• threads
• answered
• lore

  PARK HAE-JIN  
^{qotd,   former companion of akasha}

^{vampire. male. pansexual.   lee soo-hyuk.}

      _{↪︎   Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat.}

• info
• hc
• threads
• answered

  LOUISE ELLIGUT  
^{resident evil;   movies / video games}

^{human. female. omnisexual.   to be decided.}

      _{↪︎   Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat.}

• info
• hc
• threads
• answered

  EIRA SNOWVAIL  
^{lord of the rings,   books / movies based}

^{skin changer. female. pansexual.   freya allen.}

      _{↪︎   she does not belong to road or hall, nor to any banner raised by men. eira snowvail keeps to the wild places, where silence speaks louder than words and the line between woman and wolf is not so easily drawn, and where few dare to follow.}

• info
• hc
• threads
• answered

  XIAO YIFEI  
^{fandomless,   artist / sculptor}

^{human. female. pansexual.   esther yu.}

      _{↪︎   a sculptor defined by restraint, creating controlled, often incomplete forms that feel intentionally unresolved. she's quiet, private, and difficult to read, expressing more through her work than through words. doesn't create to be understood, only to shape what she cannot say.}

• info
• hc
• threads
• answered

  SLOANE SUTTON  
^{the pitt,   trauma surgeon}

^{human. female. bisexual.   emily vancamp.}

      _{↪︎   sloane sutton does not hesitate, does not second guess, and does not fall apart when everything else does. in a place where seconds matter and outcomes are never guaranteed, she is the one people trust to hold the line, even when it costs her more than she admits.}

• info
• hc
• threads
• answered

  [✦] EMRE IŞIK  
^{the pitt,   show based}

^{human. male. bisexual.   deniz can aktas.}

      _{↪︎   a reserved trauma surgeon known for calm precision under pressure and a quiet, observant presence that makes him difficult to read even in high-stakes situations, where he consistently prioritizes control, accuracy, and efficiency over expression or recognition.}

• info
• hc
• threads
• answered

  [✦] SION  
^{cyberpunk,   various media}

^{android. androgynous. pansexual.   park seonghwa.}

      _{↪︎   a reserved trauma surgeon known for calm precision under pressure and a quiet, observant presence that makes him difficult to read even in high-stakes situations, where he consistently prioritizes control, accuracy, and efficiency over expression or recognition.}

• info
• hc
• threads
• answered

  KIM SHIN  
^{goblin,   show based}

^{goblin. male. heterosexual. gong yoo.}

      _{↪︎   An immortal goblin burdened with centuries of loneliness and loss. Stoic yet deeply compassionate, he navigates love and fate while seeking a way to end his eternal life.}

  GRIM REAPER  
^{goblin,   show based}

^{grim reaper. male. bisexual. lee dong wook.}

      _{↪︎   A stoic and duty-bound reaper who guides souls to the afterlife. Reserved yet quietly compassionate, he carries hidden memories and a past that continues to shape him.}

  STILES STILINSKI  
^{treated as oc,   headcanon based.}

^{unknown. male. omnisexual. dylan o'brien.}

      _{↪︎   A quick-witted and resourceful teen with a talent for solving supernatural mysteries. Loyal and brave, he often risks everything to protect his friends while using his humor to mask his fears.}

  OH SI-JUN ^{(mystery)  
kpop demon hunters,   movie / headcanon}

^{demon. male. homosexual. park jimin. alt: yeosang.}

      _{↪︎   A secretive and unpredictable demon whose true motives remain hidden. Calm and cunning, he navigates the supernatural world with precision, leaving both allies and enemies unsure of where he truly stands.}

  MA JI-HWAN ^{(abby)  
kpop demon hunters,   movie / headcanon}

^{demon. male. bisexual. seo changbin.}

      _{↪︎   A bold and determined demon with a sharp mind and fierce loyalty to his own cause. Fearless and clever, he faces supernatural threats head-on while keeping his true intentions close to his chest.}

  EMMA NOLAN  
^{the pitt,   show / headcanon.}

^{human. female. heterosexual. laëtitia hollard.}

      _{↪︎   A driven and capable medical professional working in a high-pressure trauma setting. Focused and resilient, she pushes through chaos while staying committed to her patients and her team.}

  JEO PAL-GYE ^{p.k.  
hwayugi,   show / headcanon.}

^{demon. male. bisexual. lee hong-ki.}

      _{↪︎   A playful and mischievous spirit who thrives on chaos and humor. Clever and unpredictable, he navigates the mortal and supernatural worlds with charm and cunning, leaving a memorable mark wherever he goes.}

  AH SAH-NYEO  
^{hwayugi,   show / headcanon.}

^{demon. female. heterosexual. lee se-young.}

      _{↪︎   A powerful and enigmatic supernatural priestess with deep knowledge of ancient forces and rituals. she manipulates events from the shadows and commands respect through her control over magic.}

  ERIC NORTHMAN  
^{true blood,   show / headcanon.}

^{vampire. male. pansexual. alexander skarsgaard.}

      _{↪︎   A powerful vampire sheriff with centuries of experience and a ruthless reputation. Cold and strategic, he hides a complex sense of loyalty and emotion beneath his intimidating exterior.}

  GODRIC  
^{true blood,   show / headcanon.}

^{vampire. male. asexual. allan hyde.}

      _{↪︎   An ancient vampire with a calm, introspective nature and deep remorse for his past. Wise and compassionate, he seeks meaning beyond violence and strives for peace even after centuries of darkness.}

  BETH DUTTON  
^{yellowstone,   show / headcanon.}

^{human. female. heterosexual. kelly reilly.}

      _{↪︎   A fierce and ruthless businesswoman with a sharp tongue and unshakable loyalty to her family. Bold and calculating, she thrives in conflict while protecting what’s hers at any cost.}

the following are the fandoms that i am currently either a part of, interested in, learning or will learn at some point if i feel up to it. there are some forms of media that i will not rp in due to the subject matter making me uncomfortable, i tried to get interested in but failed to do so, or other reasons that won't be disclosed for my own personal reasons.

fandoms

well versed

lord of the rings, the hobbit, queen of the damned, resident evil, underworld, the conjuring-verse, the mummy _(1-3), fallout, pirates of the caribbean, one piece, squid game, supernatural, true blood, buffy the vampire slayer / angel the series, scream _(1-3), bridgerton, teen wolf, the vampire diaries / the originals ^{anti jplec}, borderlands, the pitt, twilight ^{(anti smeyer)}, the hunger games, dandadan, charmed, the boys / gen v, life is strange, demon slayer, 13 ghosts, stranger things ^{(anti duffer bros)}, the walking dead _{(until glenn died)}, legally blonde, starsand island, stardew valley, my hero academia, demon slayer, doctor who / torchwood, game of thrones ^{(until red wedding / anti grrm)}, kpop demon hunters, cyberpunk 2077, er, seven deadly sins, five nights at freddys, junji ito, powerpuff girls, crimson peak, yellowstone.

intermediate knowledge

the last of us, true blood, from, interview with the vampire, vikings, wwe ^{(i will not rp with this form of media)}.

little / no knowledge

star wars, school spirits, tale of the nine tailed, blue exorcist, jujutsu kaisen, until dawn, fruits basket, euphoria ^{(i will not rp with this form of media)}. 13 reasons why ^{(i will not rp with this form of media)}

wishlist

the following are plots or little tidbits that i would like to work into plots for either specific muses or any muses which will be discerned based on specific or any. if you are interested in any of the wishlist items that i have posted, please feel free to send me a private message or if you feel like writing a starter and want to throw it at me, i don't mind that either.

any muse

no offense but two characters running from the authorities and then one of them pulls the other in a dark, small alley to shake them off and they're both breathing hard and there's not much space there and they're looking at each other while trying to hold back chuckles and one of them brings their finger to their lips playfully in a 'shhh' motion while smirking and oh no now they're looking at one another's lips and one of them whispers "i think the coast is clear now. we could leave." and the other says "yeah. we could." but they're still looking at the other person's lips and neither make a move to go and they can feel each other's breath against their skin and. y eah                       taken from here

muse specific

  name:       lee ha-neul  age:       27  birthday:       tbd  astrological sign:       tbd  gender:       male  sexuality:       bisexual / biromantic  pronouns:       he/they  species:       human  occupation:       Recruit ; does as he is told  hometown:       tbd, australia  current residence:       seoul, south korea  languages:       english, korean, chinese, KSL

  height:       6'  hair:       currently blonde  eyes:       dark brown / wears color contacts  faceclaim:       christopher bahng  scars:       long scar from right above his groin area, curves at his left hip and ends half way up his side  divergences/disorders:      

  tattoos\piercings:   full hand tattoo on his right hand that he will sometimes cover up with makeup (photo to be posted). large tattoo going down his entire spine/on his back (photo to be posted) |   tongue piercing & nipple piercings  positive:       friendly, open minded, hard working  negative:       antagonistic, hard-headed forgetful  likes:       tbd  dislikes:       tbd

  name:       lee seul-min  age:       27  birthday:       tbd  astrological sign:       tbd  gender:       male  sexuality:       homosexual homoromantic  pronouns:       he/him  species:       human  occupation:       Bodyguard  hometown:       tbd, australia  current residence:       tbd  languages:       english, korean, chinese, KSL

  height:       6'  hair:       black  eyes:       dark brown  faceclaims:       christopher bahng  scars:       tbd  divergences/disorders:      

  tattoos/piercings:   tbd  positive:       tbd  negative:       tbd  likes:       tbd  dislikes:       tbd

  name:       heo seung-kyu aka kyu  age:       40 (appears 28 in human yrs.)  birthday:       september 4th  astrological sign:       virgo  gender:       male  sexuality:       heteroromantic bisexual  pronouns:       he/him  species:       werewolf ^{(my own lore)}  occupation:       chauffer / driver  hometown:       inje, south korea.  current residence:       seoul, south korea  languages:       korean, english, french

  height:       185cm   ||   6'1  hair:       dark brown  eyes:       human :  dark brown     wolf :   marigold yellow  faceclaim:       kim young-dae  scars:       tbd  divergences/disorders:       obsessive compulsive disorder (ocd)

  positive:       highly self-aware and attentive, noticing early signs of imbalance in himself and his environment. disciplined, methodical, and capable of maintaining long-term routines without external enforcement. approaches problems analytically, preferring careful planning and controlled responses over emotional reaction  negative:       obsessive, prone to fixating on control as a solution to every problem. intellectualizes his condition, mistaking management for immunity and restraint for mastery. emotionally guarded to the point of isolation, avoiding intimacy that might disrupt his carefully maintained systems  likes:       being organized, oranges, gardening, late night walks  dislikes:       being rushed, unpredictability, disorder, emotional volatility in others

about

  name:       sloane avery sutton

  age:       thirty-four

  birthday:       march 12, 1992

  astrological sign:      

  gender:       female

  sexuality:       bisexual

  pronouns:       she/her

  species:       human

  occupation:       doctor / trauma surgeon

  hometown:       boston, massachusettes

  current residence:       pittsburgh, pensylvania

personality

statistics

  clinical skill    ★★★★★☆

  precision    ★★★★★★

  decision making under pressure    ★★★★☆☆

  emotional regulation    ★★★☆☆☆

  empathy ^{(patient interaction)}    ★★★★★☆

  communication skills    ★★★★☆☆

  leadership presence    ★★★☆☆☆

  team collaboration    ★★★☆☆☆

  adaptability    ★★★★☆☆

  resilience    ★★★☆☆☆

  resistance to burnout    ★★★☆☆☆*

traits

features

  height:       5'8" (173 cm)

  hair:       blonde

  eyes:       blue

  faceclaim:       emily vancamp

  scars:       faint surgical scar on her lower right abdomen ^{(appendectomy as a teen)}, small burn scar on the inside of her wrist from a residency accident involving cauterization equipment, thin scar along her collarbone from a childhood biking accident, old piercing scars from her "rebellious" stage in high school

  tattoos:       no tattoos ^{(she’s considered it, never committed)}

  piercings:       standard ear piercings _{(one in each ear)}

  divergences / disorders:       mild insomnia ^{(shift-work related)}, high-functioning anxiety, hyper-vigilance in high-stress situations, difficulty “turning off” work mode, suppresses emotional responses until they surface in private

likes / dislikes

biography

Sloane Avery Sutton was born on March 12, 1992, in Boston, into a life that never announced itself as difficult but made it clear, in quiet and consistent ways, that ease was never going to be part of the equation. The city itself moved with a kind of unspoken endurance, and so did the people in it, including her family, where love existed more in reliability than in expression and where presence was often measured by what was done rather than what was said.Her father worked as a paramedic, which meant that his life unfolded in fragments that did not always line up with anyone else’s. He was there, then gone, then back again, carrying with him the residue of other people’s worst days without ever naming it directly. Sloane learned early how to read the things he did not say, how to recognize the difference between physical exhaustion and something heavier, something that settled into silence and stayed there. Her mother balanced that silence with structure, teaching science at a local high school and bringing home a sense of order that filled in the spaces her father left behind. Expectations were steady and unyielding, not harsh but firm in a way that left little room for deviation. Sloane did not grow up being told who to be. She grew up understanding, without explanation, that she was expected to become someone capable. That understanding shaped her long before she had language for it. She was not a loud child, nor one who demanded attention. She watched, she processed, she learned to anticipate. There was comfort in knowing what came next, in recognizing patterns, in understanding how things worked before they had a chance to go wrong. Control, even in small, almost invisible ways, became something she relied on, not out of fear, but out of a need to make the world feel stable.That sense of stability held until it didn’t.At sixteen, a medical issue that should have been simple became complicated by delay, by timing that slipped just enough to matter. It was not catastrophic in the way people might expect, but it was close enough to leave an impression that did not fade. What stayed with her was not the pain or even the fear, but the awareness of how quickly control could be taken, how easily she could be reduced to waiting, to trusting decisions made by people she did not know, relying on their judgment without having any say in it herself. She remembered the stillness of the hospital room, the way time stretched, the way uncertainty settled into something almost tangible. That was where something in her shifted, not dramatically, not all at once, but with a quiet certainty that did not leave room for reconsideration. She did not want to exist in that position again. She did not want to wait for answers that determined everything. She wanted to be the one who understood, who decided, who acted when hesitation could cost something irreversible.From that point forward, her path was not forced. It was chosen, over and over again, in small, consistent ways that built into something larger. School became less about completion and more about precision. She did not just learn material, she absorbed it, broke it down, understood the structure beneath it. Science made sense in a way that nothing else quite did, because it offered rules, systems, outcomes that could be predicted if you knew enough, if you paid attention, if you did not let details slip past you unnoticed. Leaving Boston for college did not disrupt that trajectory. If anything, it revealed how much of her drive had always come from within. Without her parents’ direct influence, the expectations did not disappear. They became sharper, more defined, entirely her own. She held herself to standards that did not require external reinforcement, pushing forward not out of pressure, but out of a need to maintain the sense of control she had built for herself.Medical school did not change who she was so much as it exposed the edges of it. The workload was relentless, the competition constant, but those were things she could manage. What proved more difficult were the parts of medicine that refused to fit into clean systems, the moments that required emotional presence without offering resolution, the conversations that lingered long after they ended. She learned to navigate them, but she never found them easy, and she did not pretend to.

bio continued

It was during her rotations that she found trauma surgery, and with it, something that felt less like a decision and more like recognition. The pace, the urgency, the absolute necessity of acting without hesitation, all of it aligned with the way her mind already worked. There was no space for overthinking, no tolerance for delay. Outcomes depended on clarity, on skill, on the ability to move through chaos without becoming part of it. Where others felt overwhelmed, she felt focused, grounded in a way that made everything else fall away. Residency took that sense of alignment and tested it in ways she had not fully anticipated. The hours were longer than anything she had experienced, the stakes higher, the margin for error almost nonexistent. Sleep became inconsistent, meals secondary, and the emotional weight of the work accumulated in ways that were not immediately visible but impossible to ignore over time. She saw loss more often than she had expected, and each instance forced her to confront the limits of what she could control, no matter how skilled or prepared she became. One case, in particular, stayed with her in a way the others did not. A patient who should have made it, whose injuries were severe but manageable, whose outcome seemed, for a time, certain in the best possible way. The situation shifted quickly, complications layering on top of each other until control slipped just enough to matter. By the time it was over, there was nothing left to do.She was told it was not her fault, that responsibility was shared, that she had acted appropriately given the circumstances. None of that changed the way the memory settled into her, not as something she revisited openly, but as something that shaped the way she moved forward. It lived in the extra seconds she spent double checking, in the refusal to assume anything would go as expected, in the quiet insistence that she could always do more, even when there was no clear indication of what that “more” should be. By the time she became an attending trauma surgeon, that accumulation of experience had refined her into someone who could not easily be shaken. In the high intensity environment of The Pitt, she does not stand out because she demands attention, but because she does not need to. She is steady where others fluctuate, decisive where others hesitate, controlled in situations that offer very little of it. Her colleagues trust her judgment, even when they struggle with her distance, with the way she prioritizes competence over comfort and clarity over reassurance. With patients, that distance shifts, not disappearing, but softening in ways that are easy to miss if you are not looking for them. She does not offer empty promises or false optimism, but she stays present, grounded, attentive to what is being asked of her in ways that go beyond the technical. She understands, in a way she rarely articulates, what it feels like to be on the other side of uncertainty, to wait for answers that carry more weight than anyone wants to admit.Outside of the hospital, her life is quieter than most people expect. She lives alone, keeps her environment controlled and orderly, maintains routines that give her a sense of stability when everything else feels unpredictable. She runs in the early mornings when the city is still half asleep, uses movement as a way to burn off the tension she does not otherwise acknowledge. Sleep comes unevenly, interrupted by thoughts she does not always follow but never entirely escapes. She has never been married, has no children, and has kept relationships at a distance that feels manageable but rarely lasting. It is not that she lacks the capacity for connection, but that she does not know how to integrate it into a life that has been built so carefully around control, around purpose, around the constant demand of being needed in moments that do not allow for distraction. Work fills that space completely. It gives her direction, a clear sense of value, a way to measure success in outcomes that are immediate and undeniable. It also allows her to avoid the parts of herself that do not fit as easily into defined systems, the questions that do not have clear answers, the reality that control, no matter how carefully maintained, is never absolute. Sloane Sutton is, by every external measure, exactly what she set out to become. Capable, composed, highly skilled, someone who can be relied on when the margin for error disappears and the stakes are at their highest.What remains unresolved is not her ability, but what exists beyond it, the quiet, persistent awareness that there are parts of life she has not learned how to navigate with the same certainty, and the growing understanding that eventually, she may have to try.

about

  name    xiao yifei.

  nickname(s)    fei, xiao xiao.

  age    twenty-nine.

  pronouns    she/her.

  species    human.

  birthdate    october 3rd '96.

  sexuality    heterosexual heteromantic.

  origin    hangzhou, china.

  current location    florence, italy

  alignment    neutral good.

personality

Yifei is quiet and observant, usually taking in more than she says out loud. She prefers listening over speaking and tends to process things internally before reacting. Around others she can seem reserved or distant, but it’s more about focus and comfort than coldness. She is most expressive through her work, where she becomes deeply immersed and extremely focused for long stretches of time. Emotionally, she leans toward keeping things contained, often translating what she feels into her sculptures instead of verbalizing it. With people she trusts, she is a bit softer and more present, though still naturally private.

statistics

traits

features

  height    5'6.

  weight    123.

  build    lean, naturally strong from physical sculpting work rather than exercise.

  eyes    dark brown.

  hair    black.

  scars    fine cuts along fingers and palms, faint chisel scar on left hand, small work marks on forearms.

  languages    mandarin, english, conversational italian.

  etnicity    chinece.

  faceclaim    esther yu.

quick note

  perceptual notes ^{(Non-Clinical)} :       reports occasional sensations of “presence” during long sculpting sessions, typically in the form of perceived guidance in form decisions rather than visual or auditory hallucination. often times describes certain materials, especially marble, as feeling “resistant in a way that changes depending on attention and mood”. she does not have any diagnosed psychosis or dissociative disorder, experiences are considered stress-linked perception patterns rather than pathology.

biography

Xiao Yifei was born on October 3, 1996, in Hangzhou, into a life shaped not by overt hardship, but by quiet structure and unspoken expectations that settled into place early and remained consistent. The city carried a balance of history and restraint, where beauty was often found in stillness rather than excess, and that same sensibility existed within her home. Her family valued discipline, education, and composure, where stability was maintained not through emotional expression, but through consistency and control. Her parents were not unkind, but they were measured. Affection was present in routine rather than words, in what was provided rather than what was spoken. Yifei learned early how to exist within that space, how to recognize approval in subtle shifts rather than direct affirmation. She was a quiet child, not withdrawn but observant, more inclined to watch than to speak, to understand before reacting. There was comfort in predictability, in knowing how things were supposed to be, in recognizing patterns before they had the chance to change.Art entered her life as part of her education, something structured and contained, but it did not remain that way. Where other subjects required memorization or repetition, art allowed for something else, something she could engage with without needing to explain herself. Drawing came first, but it felt limited, confined to surface and interpretation. It was not until she was introduced to clay that something shifted. The physicality of it, the resistance, the ability to shape and reshape until something felt right, gave her a sense of control that extended beyond the material itself. That sense stayed with her, growing gradually rather than all at once. By the time she reached adolescence, sculpture had become less of an interest and more of a constant, something she returned to without needing to justify it. It was not encouraged as a practical path, but it was not forbidden either, existing in a space where it could continue so long as it did not interfere with what was expected of her. She met those expectations without resistance, maintaining strong academic performance while quietly building something separate alongside it.The shift from quiet interest to defined direction did not come from a single moment, but from accumulation. The realization that sculpture was not just something she did, but something she understood in a way that other things did not. Form, balance, tension, these were not abstract concepts to her, but something instinctive, something she could feel before she could articulate. Choosing to pursue it formally was less a rebellion and more a continuation of something that had already taken root.Her formal education in fine arts refined what had once been instinct into precision. Training demanded discipline of a different kind, one that required not only control, but intentionality. Technique mattered, but so did meaning, and it was in that space that she began to encounter friction. Expectations to explain her work, to make it accessible, to shape it into something easily understood, did not come naturally to her. She resisted where she could, adapted where she had to, but never fully aligned with the idea that her work needed to translate cleanly to others in order to hold value. Studying abroad expanded her exposure, placing her in environments where both classical and contemporary approaches existed side by side. Marble became central to her work during this time, its permanence and resistance offering a different kind of challenge than clay. It required commitment, precision, and an acceptance that mistakes could not always be undone. That permanence appealed to her, not because it was unforgiving, but because it demanded clarity. Every decision mattered. It was during long studio sessions in this period that her perceptual experiences began to take a more defined shape. She never described them as supernatural, nor did she treat them as external entities in a literal sense, but she began to notice patterns in her work that felt as though they were being “guided” rather than constructed. Certain unfinished forms seemed to suggest their own completion. At times, she would step back from a piece and feel as though it had already decided what it wanted to become, independent of her intention.She also began referring, privately and inconsistently, to what she called “presence shifts” in the studio. These were not visual apparitions or auditory phenomena, but subtle changes in attention and perception during extended work periods, often when fatigue was present. In these moments, she described the material as feeling less inert, as though the stone or clay held a kind of memory that responded to touch and intention. She never externalized these experiences publicly, and they did not alter her rational understanding of her work, but they became part of her internal language for process. Her work began to take on a more defined identity, centered around the human form but rarely presented in complete or conventional ways. Figures were often partial, restrained, caught in moments that suggested movement but did not resolve it. There was tension in the stillness, an emphasis on what was withheld as much as what was shown. Critics described the pieces as emotionally charged yet controlled, sometimes noting an unsettling sense of “awareness” in the sculptures, as though they were observed rather than inert.Recognition came gradually, not as sudden success, but as a steady acknowledgment of her ability. Exhibitions led to opportunities, opportunities to commissions, but her relationship with that recognition remained distant. She did not seek visibility, nor did she shape her work around it. The studio remained her primary space, where time moved differently, where process mattered more than outcome, where perception and physical labor blurred in ways she did not fully interrogate. There were moments that challenged her sense of control, not as collapse, but as interruption. A sculpture that resisted resolution no matter how long she worked on it. A fracture in marble that felt less like damage and more like refusal. Periods where she could not determine whether she was shaping the material or responding to it. These moments did not change her belief in rational process, but they added a layer of ambiguity that she never fully removed.By the time she became established in her field, Yifei had developed into an artist who did not rely on explanation. Her work functioned independently of her interpretation, often described as restrained, controlled, and quietly unsettling in its sense of presence. She did not confirm or deny these readings, allowing them to exist alongside her process without contradiction.

biography cont.

Outside of her work, her life remains intentionally minimal. She lives alone, her space organized and controlled, structured in a way that allows her to move through it without disruption. Her studio and her home often blur together, separated more by function than by distance. She maintains routines that stabilize her focus, though long work cycles often disrupt conventional rhythms of rest and time. Sleep comes inconsistently, often interrupted by thoughts of unfinished work or forms that feel unresolved. In these states, she is more likely to experience perceptual intensifications, where her awareness of material, space, and presence becomes heightened, though never detached from reality. Re lationships exist at a distance. She does not reject connection, but she does not naturally integrate it into her structure of living. Communication is most fluid when it relates to work, process, or material understanding. Emotional articulation outside of that context remains limited, not from absence of feeling, but from lack of practiced expression. Her work fills the structure of her life completely. It provides clarity, discipline, and a controlled environment in which uncertainty can be shaped rather than avoided. It also remains the space where her perceptual experiences are most pronounced, though she continues to interpret them through the lens of fatigue, focus, and immersion rather than anything beyond the human mind. Xiao Yifei is, by every external measure, exactly what she has built herself to be. Disciplined, precise, and deeply committed to her craft, capable of producing work that carries weight beyond explanation.What remains unresolved is not her skill, but the quiet ambiguity she never fully names, the sense that creation is not always a solitary act, and that sometimes, in the stillness of stone and silence, something else feels briefly present alongside her.

history

likes / dislikes

  likes:      natural lighting in studio spaces, quiet mornings with open windows, working clay by hand, gentle music, florence’s architecture and atmosphere, tea with light floral notes, organic and imperfect textures, small decorative details in everyday life

  dislikes:      artificial lighting, overly rigid schedules, loud/chaotic environments, being rushed, cold interpretations of art, physical clutter in her workspace, feeling emotionally pressured, interruptions during focused sculpting, crowded enclosed spaces

scars

  scars:       fine cuts along her fingers and palms from carving tools, faint scar across the back of her left hand from a chisel slip during training. subtle, barely visible marks along her forearms from years of material work

tattoos & piercings

  tattoos:       no tattoos ^{(not out of disinterest, but indecision)}

  piercings:       standard ear piercings ^{(rarely wears them)}

disorders & divergences

  divergences / disorders:       mild insomnia ^{(inconsistent work cycles and long studio hours)}, high functioning anxiety, hyper focus during work to the point of physical neglect, difficulty disengaging from creative process, suppresses emotional responses and redirects them into her work rather than expressing them directly.

about

  name    jeong ji-ho ^(정지호).

  nickname(s)    jinu && ji.

  age    twenty-seven.

  pronouns    he/him.

  species    demon.

  birthdate    tbd.

  sexuality    pansexual panromantic.

  origin    tbd.

  location    seoul, south korea.

  alignment    lawful good.

personality

Ji-ho carries himself with a calm confidence that makes it hard to tell what he is really thinking. He knows how to act charming when he needs to, especially in front of cameras or fans, but there is always a sense that he is holding something back. Around most people he keeps a careful distance, choosing his words and reactions with more thought than he lets on. With the few people he trusts, the act drops enough for him to be quieter, softer, and more honest, though even then he rarely shows everything he feels. He is observant, patient, and far more calculating than he appears, and when the situation calls for it, he can be colder and more ruthless than anyone expects.

statistics

positive traits

features

  height    5'11.

  weight    123.

  build    build.

  eyes    brown.

  hair    black.

  scars    n/a.

  languages    english, korean.

  etnicity    korean.

  faceclaim    bangchan (skz) \ alt: ahn hyo-seop

  voiceclaim    bangchan (skz)

negative traits

biography

jinu ji-ho was born during the late joseon period, growing up as an unusually temperamental child who was often described as difficult to control. from a young age he showed strange bursts of strength and aggression that he himself didn’t understand, leading to fights, trouble, and a reputation that followed him into adulthood. as he got older, his reckless personality only got worse. he developed a habit of gambling, chasing the thrill of winning without thinking about the consequences, and it eventually left him with debts he had no way to repay.
desperate and with nowhere else to go, jinu ji-ho crossed paths with gwi-ma, who approached him at his lowest point. gwi-ma spoke to him as if he already knew what jinu ji-ho was, telling him the anger and instability he carried were not a flaw, but potential. believing he had no other choice, jinu agreed to a deal that promised him freedom from his situation, not realizing the true cost of what he had accepted.the change did not happen all at once. over the following years, jinu ji-ho began to notice that his strength no longer felt human, and that the more he relied on the power he had been given, the less control he seemed to have over himself. by the time he understood that gwi-ma had planned everything from the beginning, it was already too late to turn back. at the age of twenty-seven, after being pushed past his limit, the power fully took hold and completed his transformation into a demon.for years after, jinu ji-ho lived as something caught between loyalty and control, working under the same force that had created him while never fully losing the part of himself that had once been human. when he later became involved with huntr/x, he initially saw them as nothing more than another mission, but over time their bond began to affect him in ways he did not expect. being around them made it harder to ignore the person he used to be, and for the first time since making the deal, he started to question the life he had chosen.during the final battle, when huntr/x was in danger, jinu ji-ho made the choice to go against the path that had been set for him. instead of protecting himself, he used his power to save them, even though he knew it would cost him everything. the act destroyed the form he had lived in for years, breaking the hold that gwi-ma had over him and ending the life he had as a demon.for a time, nothing remained except the echo of what he had been. but his story did not end there. his spirit eventually reawakened, no longer fully human, but no longer bound the way he once was. given another chance, he returned to stand beside huntr/x again, not as a weapon, and not as something controlled, but as someone finally allowed to choose his own place. though he still carries the mark of what he became, jinu ji-ho now lives as an idol once more, walking the line between human and demon, trying to prove that the choices he makes now matter more than the ones that created him.

history

likes / dislikes

   likes         music production, quiet late nights when he does not have to be in front of anyone, well made films and older dramas, expensive clothes and jewelry that feel as polished as the image he keeps up, observing people without them noticing, having control over his surroundings, conversations with those he actually trusts, places calm enough for him to think clearly.   dislikes         being rushed into decisions he hasn't thought through, asked questions he doesn't want to answer, losing control of a situation in front of others, dishonesty from people he trusted, loud arguments that draw unnecessary attention, sudden changes to plans he already prepared for, strangers being overly familiar, feeling like he's being manipulate, being unaware of what is going on around him.

about

  name    eira snowvail.

  nickname(s)    the white shadow. winters daughter ^{by the world of elves}. snowvail ^{by the world of men}

  age    unknown appears 20's.

  pronouns    she/her.

  species    skin changer.

  birthdate    tbd.

  sexuality    pansexual panromantic.

  origin    northern rhovanion.

  current location    northern wilds, on the precipice of mirkwood.

  alignment    neutral good.

  preferred animal / creature    a large white wolf

personality

Eira is quiet, observant, and strongly guided by instinct. She speaks little and prefers distance over closeness, often studying others before choosing whether to engage. She is not cruel, but she is direct and often blunt. When her boundaries or the natural order she respects are threatened, she responds without hesitation. Her sense of right and wrong is simple, shaped more by survival and balance than by law or tradition. Trust is rare for her and takes a long time to earn. Even then, she remains reserved and difficult to read. She rarely shows emotion openly, instead expressing loyalty through consistent actions rather than words. There is a steady, grounded quality to her presence. She does not seek attention or companionship, but she does not ignore meaningful bonds once they form.

statistics

positive traits

features

  height    5'7.

  weight    Approx. 115 lbs.

  build    lean and wiry, built for endurance and movement rather than bulk. Strong but not heavily muscled, with a natural hunter’s posture..

  eyes    pale grey-blue.

  hair    snow white, helps her blend into the snowy landscape where she resides.

  scars    thin claw marks along left shoulder and upper arm ^{(old injury from beast encounter)}, faint cut across right ribs, partially faded, small nick scars on hands from hunting and survival work.

  languages    westeron ^{(what we call english)}, elvish, black speech ^(survival).

  ethnicity    appears human / westeron (white).

  faceclaim    freya allan.

negative traits

biography

eira snowvail is a skin-changer of the northern wilds, belonging to a rare and little-documented kindred whose nature binds them closely to the untamed lands of middle-earth. she exists outside the established realms of men, elves, and dwarves, living instead within older and harsher regions where survival depends on instinct, endurance, and respect for the natural world. like others of her kind, such as Beorn, she is able to take on a beast form, most often that of a great white wolf. this transformation is not casual or light, but something deeply tied to her nature and will.she does not belong to any kingdom or sworn order. there are no oaths that bind her to kings, no banners she follows into war, and no halls she calls home. her life is shaped by movement and solitude, existing on the edges of maps rather than within them. she travels through wilderness and borderlands where the presence of settled folk grows thin and the older balance between land and creature still remains. in these places, she is neither ruler nor subject, but something closer to a watcher of boundaries that few others notice.among hunters, travelers, and those who stray too far from safety, eira is spoken of in uncertain ways. some recall only a pale figure at the edge of firelight or falling snow. others speak of a wolf that does not behave as ordinary beasts do, or of tracks that appear without clear origin or direction. these accounts rarely agree, but they share the same pattern. she is not easily understood, and she is not easily forgotten.her presence is defined more by action than by speech. eira is quiet to the point of near silence and observes far more than she reveals. she does not seek companionship, but she does not ignore the world entirely. when she acts, it is deliberate and purposeful, especially when the balance of the wild is threatened by intrusion or destruction. in such moments, she is neither hesitant nor forgiving.though she avoids the affairs of great powers and distant wars, she is not entirely unaware of them. the spread of shadow, the movement of orc-kind, and the influence of darker forces are not beyond her notice. still, she does not involve herself unless these matters touch the lands she moves through or disturb the order she recognizes in the wild.eira snowvail exists between myth and reality. she is neither fully part of the histories of the free peoples nor entirely separate from them. she belongs to the older world that still lingers in forgotten forests and snowbound valleys, where the line between woman and beast is thin and survival is shaped not by law or song, but by silence, instinct, and the enduring rhythm of the land.

history

eira’s beginnings are not written in any record kept by men, elves, or dwarves. she is spoken of only in fragments, as skin-changers of the north are few and keep little company with wider folk. those who know of such beings compare her loosely to the kindred of beorn, though even among them she is said to be more distant and less bound to any settled hall.she is believed to have been born in the northern wilds of rhovanion, where the forests grow old and deep and the winters linger long. from an early age she is said to have lived apart, more at ease among trackless woods and snowfields than within any village or hearth. whether she was raised among others of her kind or came into her nature alone is not known, for she speaks nothing of her past.as time passed, stories began to spread among scattered hunters and travelers: of a pale wolf seen at the edge of sight, of a woman standing where no road runs, of tracks that appear in fresh snow without sound or warning. some spoke of protection in the deep wilds, others of something best left undisturbed. none could say truth from fear.eira herself leaves little behind. she does not dwell in one place long enough to be found twice, nor does she seek the paths of kings, armies, or trade. her life remains tied to the older world, where land and creature are bound together more closely than the works of men, and where survival is measured in silence, patience, and instinct.even now, she is seen only rarely and never long. a presence in the cold edge of forests, a shape in falling snow, a rumor that moves faster than any traveler.

likes / dislikes

   likes         cold weather, snowfall, and long winters, quiet forests and untouched wilderness, hunting and tracking in open land, moonlight over snow or water, solitude and long stretches of silence, the presence of animals in their natural state, honest action over spoken words.   dislikes         rcowded settlements and walled cities, unnecessary fire or destruction of the wild, loud chaotic behavior or constant noise, iron-heavy industry and smoke-filled air, being cornered or confined, deceitful speech or broken words, intrusion into her chosen territory.

about

  name    zoey song.

  nickname(s)    zo.

  age    twenty-four.

  birthdate    august 25th '02.

  astrological sign    virgo.

  gender    female.

  sexuality    pansexual panromantic.

  pronouns    she/her.

  species    human.

  occupation    idol.

  origin    california, usa.

  location    seoul, south korea.

  alignment    lawful good.

personality

Zoey has a strong presence even when she is doing nothing in particular. She is naturally curious and tends to notice small details most people ignore, which often leads to her asking questions at the worst possible time. Around people she trusts she can be teasing, intrusive, and a little shameless about invading personal space, but it comes from comfort rather than disrespect. She does not like pretending to be someone she is not, so her reactions are usually honest, even when they probably should not be. Despite the playful attitude, she is observant, emotionally aware, and far more thoughtful than she lets people see at first.

statistics

positive traits

features

  height    5'6.  weight    126.  build    build.  eyes    brown.  hair    black.  scars    n/a.  languages    english, korean, ksl, asl, conversational chinese.  etnicity    korean.  faceclaim    chuu. alt: eu (everglow)  voiceclaim    chuu.

negative traits

biography

Zoey Song grew up moving between California and Seoul, and because of that, she never really developed a single sense of “home” in the usual way. Instead, she learned to read people first and places second, paying attention to tone, behavior, and the small shifts in how someone reacts rather than anything fixed or stable around her. That habit followed her into everything she did later, especially once she entered the idol world and the hidden demon-hunting system that ran alongside it, where awareness of people and energy mattered just as much as performance itself.She did not enter HUNTR/X with a sense of discipline or long-term planning, but with instinct and momentum. Zoey tends to move toward things that interest her before she fully thinks about consequences, which meant she adapted to the structure of the group and their dual life not by fitting into it neatly, but by reacting to it in real time until it started to feel natural. Performance, combat, training, and daily life all blend together for her in a way that makes her seem like she is always slightly “on,” always engaged with whatever is happening in the moment.Within the group, she quickly became the type of presence that is hard to ignore. Zoey gravitates toward people directly and without hesitation, especially Rumi and Mira, inserting herself into conversations, routines, and private moments as if closeness is assumed rather than negotiated. She shows affection through teasing, physical proximity, constant commentary, and a level of familiarity that can feel overwhelming to others at first, but is consistent enough that it becomes part of her presence rather than something she turns on or off.At the same time, Zoey is not unaware of what people are feeling or how situations shift. She picks up on changes in tone, energy, and behavior quickly, often registering things before anyone else points them out, but she rarely steps back to frame that awareness in a structured or analytical way. Instead, it comes out as immediate reaction, sudden comments, or spontaneous involvement, which can make her seem impulsive even when she is actually responding to something she already noticed.In the context of HUNTR/X and their role as both idols and demon hunters, Zoey operates less like a strategist and more like a responsive force within the group dynamic. She is not the one building long-term plans, but she is often present in the exact moments where something changes, reacting quickly enough to stay aligned with what is happening even when she does not fully articulate why. This makes her unpredictable in everyday life but consistently engaged when it matters most.Beneath all of that, what defines Zoey most is not chaos or randomness, but connection. She is driven by people more than structure, by reaction more than calculation, and by the need to be involved in what she cares about rather than observing it from a distance. Even when she acts like she is joking, drifting, or not taking things seriously, she remains fully present in a way that keeps her tied to the group and the world they operate in, always moving with it rather than outside of it.

history

likes / dislikes

   likes         movies and drama, especially ones she can comment on while watching, teasing her friends just to see their reactions, trying new foods and stealing bites from others, music, late night conversations and quiet places with people she trust, anything that makes her curious or gives her something to figure out.   dislikes         being ignored when she is talking, pretending that everything is fine when it's clearly not ^{(unless she's the one doing it)}, sitting still for too long with nothing to do aka sitting still in general, people who act like someone that they are not aka people who act fake, people who are obvious in their hate for someone when being overly polite, feeling as if she does not understand what is going on..

about

  name    emre işık.

  nickname(s)    n/a.

  age    thirty-four.

  birthday    September 14^th, 1996.

  astrological sign    virgo.

  gender    male.

  sexuality    bisexual biromantic.

  pronouns    he/him.

  species    human.

  occupation    tbd.

  hometown    izmir, turkey.

  current residence    pittsburgh, pennsylvania

personality

Emre Işık is reserved and controlled, speaking only when necessary and rarely filling silence for its own sake. In high-pressure situations he stays calm and focused, processing information internally before responding, which can make him seem distant even when he is fully engaged in what is happening around him. He prefers structure, clarity, and efficiency, and tends to value competence over personality when assessing others, with minimal emotional expression in professional environments not because he lacks feeling, but because it is not how he operates or communicates under pressure. When concentrating, he often falls into small, unconscious habits such as organizing nearby objects or mentally running through instructions before acting, which serve as grounding mechanisms rather than deliberate rituals. He is slow to trust others, but once trust is established he remains steady and consistent.

statistics

  surgical skill    ★★★★★☆

  empathy ^(clinical)    ★★★☆☆☆

  focus    ★★★★★★

  emotional leakage    ★★☆☆☆☆

  improvisation tolerance    ★★★☆☆☆

  verbal necessity    ★★☆☆☆☆

  rule rigidity    ★★★★☆☆

  authority defaulting    ★★★☆☆☆

  post-shift detachment    ★★★☆☆☆

  sensory exclusion    ★★★★★☆

  decision finality    ★★★★★☆

  operational consistency    ★★★★★☆

positive traits

features

  height    6’0.

  hair    dark brown / near black.

  eyes    dark brown.

  faceclaim    deniz can atkaş

  scars    small scar on the upper lip from a childhood fall, long thing scar along collarbone ^{(from car accident)}, subtle scar near the jawline ^{(old school sports injury)}.

  tattoos    the turkish word denge ^(balance) in the crook of his left elbow.

  piercings    none ^{(they get in the way)}.

  divergences / disorders    insomnia ^{(rest happens in short, unreliable blocks instead of full recovery cycles)}, hyperfocus episodes ^{(complete tunnel attention during crises)}, congenital hearing loss in left ear ^{(wears a cochlear implant)}.

negative traits

biography

Emre Işık was born in Turkey with congenital hearing loss in his left ear, a condition identified early and managed through the use of a cochlear implant, and from the beginning his world required a level of attention and structure that most people never have to develop. He learned to rely less on ease and more on awareness, paying close attention to movement, expression, and environment in order to keep pace with everything happening around him, and over time that awareness became second nature rather than something he actively thought about. Communication was never absent, but it became deliberate, shaped by intention instead of instinct, and this carried into the way he interacted with people, situations, and eventually his work.When his family relocated to the United States during early adolescence, the shift introduced a different kind of challenge, one that extended beyond hearing into language, culture, and expectation, and while the adjustment could have been disruptive, he approached it the same way he approached everything else by observing first and responding only when necessary. He did not force adaptation through constant interaction but allowed it to build gradually, refining his understanding of how people spoke, behaved, and reacted, and shaping his own responses in a way that kept him controlled and measured rather than reactive. This period did not change who he was so much as it reinforced what was already there, strengthening his tendency to process things internally and to rely on structure rather than spontaneity.His decision to pursue medicine was not rooted in idealism or a need for recognition, but in alignment with how he already functioned, as he found himself drawn to environments where clarity, precision, and outcome mattered more than personality. Surgical fields stood out early, offering a level of control and direct action that other areas of medicine did not, and as his training progressed, trauma surgery became the natural direction, not because of its intensity alone but because it demanded a kind of steady decision-making that suited him. In trauma, hesitation carries consequences, and emotional reaction does not guide action, and these were conditions in which he did not have to adjust himself, because he already operated that way.Residency placed him in an environment that would have worn down someone less structured, with long hours, constant pressure, and a rigid hierarchy that left little room for error, but instead of breaking under that weight, he settled into it, allowing the repetition and demand to sharpen his focus rather than disrupt it. Exposure to emergency cases on a continuous basis reinforced his ability to remain composed regardless of severity, and over time he became known not for standing out, but for never deviating, for maintaining the same level of control whether the situation was routine or critical. That consistency became his defining trait in professional settings, something relied on by others even if it was not something he spoke about or acknowledged.As he moved into independent practice, that same consistency carried forward, shaping his reputation as someone who could be depended on in situations where precision and stability were necessary. He did not build his standing through presence or personality, but through repeated performance, through the absence of error, and through a controlled approach that did not shift under pressure. Outside of his work, little changed, as he did not feel the need to create separation between personal life and professional identity, instead allowing both to exist within the same structured framework. His routines remained consistent, his interactions measured, and his focus largely directed toward maintaining the level of control that had defined him from the beginning.Now established in his career, Emre continues to operate within that same framework, not out of habit alone but because it is the most natural state for him, maintaining precision, control, and consistency in both his work and the way he moves through the world, with very little deviation from the patterns that have shaped him over time.

history

likes & dislikes

about

  name    park hae-jin.

  nickname(s)    akasha's remnant ^{(by elder vampires)}

  age    unknown appears late 20's.

  birthday    sometime in the summer, exact date unknown.

  astrological sign    unknown.

  gender    male.

  sexuality    pansexual panromantic.

  pronouns    he/him.

  species    vampire.

  origin    unknown ancient era ^{(before the gojoseon era was founded.)}

  current location    nomadic ^{(has no permanent residence)}.

personality

quiet, controlled, and highly observant. he speaks little and acts deliberately, preferring to study before engaging. appears emotionally detached, keeping a firm hold on expression and reaction rather than openly showing feeling. beneath that control, there is a subtle, inherent seduction in his presence that is not intentional but unavoidable. does not seek power, attachment, or belonging, existing outside vampire social structures by choice. his behavior is self-directed and measured, shaped more by observation than participation. at his core, he carries a quiet sense of unresolved purpose tied to his creation by Akasha, which keeps him distant from anything that requires certainty or identity.

statistics

  predatory presence    ★★★★★☆

  blood cognition    ★★★★★★

  temporal awareness    ★★★★★☆

  political invisibility    ★★★★★★

  psychological distortion effect    ★★★★★☆

  physical combat relevance    ★★★☆☆☆

  feeding precision    ★★★★★☆

  relational attachment capacity    ★★☆☆☆☆

  identity coherence    ★★★☆☆☆

  metaphysical stability ^{(Akasha resonance)}    ★★★★☆☆

  predatory allure ^{(inevitable attraction response)}    ★★★★★☆

positive traits

features

  height    6'1.

  build    tall, slender, controlled frame.

  hair    black.

  eyes    dark brown / near-black.

  ethnicity    korean.

  faceclaim    lee soo-hyuk.

  scars    faint but distinct pre-turning scars across hands and lower forearms ^{(suggesting past periods of violence or survival before his transformation)}.

  tattoos    none before his turning.

  piercings    none from before his turning.

  languages spoken    korean, english, latin ^(fragmented).

negative traits

about

  name    yu shin-dae.

  nickname(s)    yoshi. joey shin ^{american name}.

  age    twenty-four 800.

  birthday    he doesn't even remember.

  astrological sign    unknown.

  gender    male.

  sexuality    pansexual biromantic.

  pronouns    he/him.

  species    wolf demon.

  origin    he doesn't remember.

  current location    seoul, south korea.

statistics

  charisma    ★★★★☆

  emotional intelligence    ★★★★★

  impulsivity    ★★☆☆☆

  patience    ★★★★☆

  aggression    ★★☆☆☆

  loyalty    ★★★★★

  confidence    ★★★★☆

  perceptiveness    ★★★★★

  playfulness    ★★★★☆

  restraint    ★★★★☆

  coordination    ★★☆☆☆

features

  height    6'1.

  weight    143 lbs.

  hair    naturally brown / dyes it often.

  eyes    brown.

  ethnicity    korean.

  faceclaim    choi yeonjun.

  voiceclaim    choi yeonjun.

  scars    none.

  tattoos    none.

  piercings    ears ^{wears dangly earrings a lot}.

  languages spoken    english, korean, japanese, chinese ^{conversational}.

personality

instinct-driven but controlled, balancing warmth with quiet intensity. he is naturally social, often engaging others with teasing humor and light flirtation, but beneath that ease lies a deeply loyal and protective nature. he reads people quickly and rarely reacts without understanding the situation first. while generally relaxed and good-natured, he becomes serious when boundaries are crossed, shifting into a more focused and intimidating presence. he does not lash out, but instead chooses his actions carefully, making his responses feel deliberate rather than impulsive. despite that edge, he remains kind at his core. his warmth is genuine, shown through small, consistent actions rather than grand gestures. his restraint is learned, not natural, and it shows in the way he carries himself. he doesn't try to hide what he is, only when he chooses to show it.

positive traits

negative traits

biography

yu shin-dae, ^{also known as yoshi}, was never meant to disappear into the world quietly. as a wolf demon, he was born with instincts that pull outward towards people, towards sound, towards motion. he feels the world first, thinks second, and reacts last, a rhythm shaped by years of learning when to soften his teeth and when to bare them. even when he is still, there is always a sense that something in him is listening, tracking, responding beneath the surface. living among humans taught him restraint, but it never dulled his awareness. shin-dae notices everything: shifts in mood, the weight behind words, the way fear or affection changes the air in a room. he learned early that protecting others doesn’t always mean standing in front of danger. sometimes it means stepping in sideways, redirecting, diffusing, choosing patience over instinct. over time, this became second nature, like a learned language spoken without effort.dance became his outlet long before he understood it as performance. movement allowed him to burn off excess energy without violence, to express what he couldn’t safely say aloud, and to ground the restlessness that never fully leaves him. singing followed naturally, his voice grounded and warm, carrying emotion without overwhelming it. as a soloist, shin-dae performs with a presence that feels alive, physical, expressive, and unforced, like instinct given shape, as if his body translates what his words refuse to.offstage, he is easy to laugh, quick with teasing remarks, and openly affectionate in small, casual ways. he flirts when it feels harmless, smiles when it feels honest, and listens more than people expect, often letting others fill silence while he simply takes them in. fans often describe him as comforting without trying, someone who feels close even from a distance, as if he naturally bridges space without meaning to. but that warmth has edges. when lines are crossed or cruelty surfaces, shin-dae’s demeanor changes instantly, instinct sharpening into something unmistakably predatory. he does not tolerate disrespect, especially when it’s aimed at those who cannot defend themselves, and that shift is immediate enough to change the air around him.despite his temper, shin-dae is deeply kind at his core. his protectiveness comes from care, not dominance, and his loyalty is quiet but absolute. as a soloist, he carries himself alone in the industry, but never truly feels isolated in how he watches over others. he is both presence and safeguard, someone who keeps watch without making others feel watched, always aware without ever being suffocating. he doesn't pretend to be harmless ; he simply chooses, every day, to be gentle.

history

likes & dislikes

about

  name    ha mira ^(하미라)

  nickname(s)    hani ^{(only used by group members in private)}.

  age    twenty-six.

  birthdate    march 14.

  astrological sign    pisces.

  gender    female.

  sexuality    lesbian.

  pronouns    she/they.

  species    human.

  occupation    idol.

  origin    seoul, south korea.

  current residence    seoul, south korea.

statistics

  Impact    ★★★☆☆☆

  Control    ★★★★★★

  Flow    ★★★★★★

  Timing    ★★★★★★

  Reaction    ★★★★★☆

  Instinct    ★★★★★☆

  Engagement    ★★★☆☆☆

  Weapon Use    ★★★★☆☆

  Awareness    ★★★★★★

  Composure    ★★★★★★

  Sync    ★★★★★☆

  Stress Response    ★★★☆☆☆

Text

queenrumi
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sqnctuary
pittrauma
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paradoxlost
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endlss-voiid
bulsoitan
neonatals
leastproblematic
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little-elena
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starlitsonnets
heavenmcde
dspndncy
museanthology
serabellyms
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lightsideofseoul
pittrauma-a
sqnctuary-a
kumihod
yoobiins
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pittmash
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erb4rbie
seouldayz
malka-lisitsa
dreadhour
dr4gontales
lawscoped
egosthrall
4gives
florietiae
moonrush

Zoey Hwang is human, something that has never changed, even after everything else in her life did. She grew up in a world where supernatural creatures were real, but distant enough to be treated like something theoretical, something people debated more than they actually understood. Most of what she heard came filtered through caution, speculation, and the quiet assumption that distance was safety. It wasn’t framed as fear so much as practicality, the idea that humans were better off not getting involved, not getting close, and not asking too many questions. Zoey never fully accepted that framing, not loudly, not in a way that caused arguments, but in the smaller, more persistent way she questioned things that didn’t feel complete. She noticed how often people spoke with certainty about creatures they had never met, how easily fear filled in the gaps where understanding should have been, and how quickly entire groups were reduced to assumptions no one seemed interested in challenging, and even without the experience to argue otherwise, she couldn’t bring herself to accept it as fact.For most of her life, that curiosity stayed abstract, something she carried quietly without anywhere to put it. Then the portals opened, and distance stopped being part of the equation. What had once been something distant and theoretical became immediate, structured into something people could actually interact with, even if they didn’t know how to yet. Zoey followed it the same way everyone else did at first, through news reports, secondhand accounts, and a world trying to make sense of something it had kept at arm’s length for a century. Where others focused on risk, policy, and control, Zoey found herself paying attention to something else entirely, the people at the center of it, and what it meant to suddenly exist in a world that had spent so long misunderstanding them. The more she watched, the less the fear-driven narrative made sense to her, and the more her curiosity shifted into something quieter, but more certain.That curiosity became something real five years ago, when her father, Hwang Seungho, was turned. The incident itself was never something he explained in full, only that it required immediate reporting and that staying where they were was no longer an option. The policies surrounding cases like his were clear and unyielding, leaving no room for negotiation. Relocation to the Isle of Grimm wasn’t framed as punishment, but it wasn’t optional either, and whatever uncertainty existed around the situation didn’t change the outcome. Zoey didn’t hesitate. She didn’t argue, didn’t try to find another solution, didn’t treat it like something that could be delayed or avoided. Whatever her life had been before that moment stopped mattering the second it became something he would have to face alone, and going with him wasn’t something she needed to think twice about.The transition was abrupt in the way those things always are, one life ending cleanly while another began without giving her time to fully process the shift. The Isle of Grimm wasn’t unfamiliar in theory, but living in it was something else entirely. Everything that had once been distant was now structured into something immediate, districts separating populations, systems guiding where people lived and how they were expected to interact, and an underlying awareness of difference shaping even the smallest interactions. Most humans adapted carefully, keeping to their assigned spaces, observing before engaging, and treating every interaction like something that needed to be measured and understood before stepping into it. Zoey didn’t. She moved through it the same way she moved through everything else, by getting involved before she fully thought it through, talking to people she wasn’t supposed to approach so easily, lingering in places she had no real reason to stay in, and treating interactions like they didn’t need to be filtered through fear first. It wasn’t a conscious decision to challenge anything. It was just the way she functioned, carried into a place that wasn’t built for it.The label came not long after. “Sympathizer,” usually from other humans, often said with a tone that suggested she didn’t understand what she was dealing with, or worse, that she understood and chose to ignore it anyway. To them, her behavior looked careless, especially given her father’s situation, as if proximity should have made her more cautious instead of less. Zoey never argued against it. She didn’t try to explain herself in a way that would make her easier to accept, didn’t organize her thoughts into something presentable or convincing. She just kept doing what she had already been doing, and over time, that consistency made it harder for people to dismiss her as simply naïve, even if they didn’t agree with her.What changed over time wasn’t her mindset, but her place within the island. After settling in, she needed something that felt like her own, something that existed outside of relocation, outside of policy, outside of the quiet tension that seemed to exist in every structured interaction. The idea of the shop didn’t come from long-term planning so much as instinct, a space she could build without having to follow the same rigid expectations that defined everything else around her. She chose a location near the central district, somewhere people already passed through, and let it take shape gradually, adjusting it as she went instead of forcing it into something precise from the start. It became something layered without ever feeling designed that way.She called it Bound & Bitter, a name that fit without needing much explanation. It started as a small bookshop with a coffee counter, something simple and practical, but it never settled into anything rigid. Shelves shift, sections blur, handwritten notes find their way between pages, and the menu changes often enough that regulars have stopped expecting consistency. It isn’t polished, and it was never meant to be, but it feels lived-in in a way that most places on the island don’t, shaped more by presence than by intention.Zoey works there herself most days, not because she has to, but because she prefers it that way. She talks while she works, asks questions she doesn’t always need answers to, and pays attention in a way that doesn’t feel deliberate until someone realizes she remembers things they didn’t think she noticed. Conversations don’t stay contained within the people who started them. They overlap, drift, and pull her in even when she wasn’t part of them to begin with, and she rarely sees a reason not to step into them. Over time, the shop became something more than she intended, not because she set out to make it that way, but because she never built it with separation in mind. Humans, vampires, werecreatures, witches, all passing through the same space without structure forcing the interaction. It doesn’t erase tension, but it softens it, if only because Zoey never treats it like something that needs to be managed in the first place.Her relationship with her father exists in a quieter space than everything else in her life. Zoey treats him the same way she always has, refusing to acknowledge any fundamental change, while Seungho carries an awareness of that change even when he doesn’t speak on it. There are moments where the difference surfaces, in hesitation, in silence, in things left unsaid, but Zoey has never been good at letting distance settle where she doesn’t think it belongs. She closes it the same way she always has, by staying, by talking, and by acting like nothing has changed enough to matter.On the Isle of Grimm, she doesn’t fit cleanly into any one category. She isn’t part of any official organization, doesn’t align herself with the Alliance of Magical Integration, and has no interest in becoming a representative for anything larger than herself. Still, her presence is noticeable in ways she doesn’t actively think about. She moves between districts more freely than most humans, forms connections that don’t follow the usual boundaries, and ends up involved in situations simply because she didn’t leave when she was supposed to. She doesn’t set out to change anything, doesn’t frame what she’s doing as important, and doesn’t try to make it into something bigger than it is.Zoey doesn’t think of any of it as significant. As far as she’s concerned, she runs her shop, lives her life, and talks to whoever walks through the door, and whatever happens beyond that tends to happen whether she plans for it or not.